![]() You make a really good point about using the Touché with anything besides the Lie plugin or hardware synth presets - it definitely helps to think tactically about what type of parameters you intend to control with it and spend some solid time tweaking it to respond in a way that you're comfortable/happy with. I don't remember another way to add a dead zone but there may be one. It's been a minute since I've edited my Touché presets, but IIRC you can use the curve editor to add dead a dead zone by moving the lowest point on that axis to 0 for part of the travel. Not shure if it makes sense to just put randomly a Touche onto your desk ? And on my unit doing up-down movements, i would allways also move some left-right.ĭepends on, if you have clear uses in mind.Īnd these must match with the sensitivity and adjustbility of "your" Touché. While controlling others with the up-down axis. controlling the wavetables with the left-right axis, I had specific things i mind i wanted to do, ie. On the other hand, if you have already dropped five figures on your eurorack wall of doom and you're trying to find new ways to do what Klaus Schulze had wished that he might have done but never could? Another $400 is just a drop in the bucket.īut you could also get other controllers, even MIDI ones, and use a MIDI/CV interface. When it first came out, I saw its price and burst out laughing. It is a fancy controller pedal with four parameters. ![]() I would, unprompted, consider paying $200 for it, new in box. I have no complaints about form or function, and the tactile experience of using it is good. ![]() It does what it does, well, and reliably. I like to use its CV functions with semimodular synths for expression, but it also plays nicely with MIDI learning on a DAW when I need that. It is a nicely constructed, attractive, functional piece of kit. ![]() I have an Expressive E Touche (the full fat one, not the SE), and the only reason is that I won it at an event. Other people's notion of defensible prices regularly leave me gobsmacked. You've still got a week to get Arche at a discount.Disclaimer: I'm a cheap bastard. Interestingly, all for panelists on the post NAMM sonic state livestream have one, although I don't think Nick uses his. Otherwise you can get some really glitchy results. Something I wish I had known is how important it is for it to be flat when you start it up. It holds even if you change midi channels. Another thing that's really cool is how the knob acts as a hold button freezing the modulation. The response curves are really useful.Īlthough it looks like it would operate like a big mod wheel, it's actually more like having 5 of them because it wants to spring back. That being said I now have it set up that it doesn't need to be connected to the computer. The software does take some getting used to. Although you might want to check out the Effigy controller pedal that was shown at NAMM for a similar price. It's definitely a major improvement over a mod pedal. I know I'm going to get a lot of use out of it because I use a digital piano as my controller which doesn't have a mod wheel or a pitch bend. It definitely gives me the physical feedback I was looking for. You can buy aftermarket parts of you want a different feel. I get the impression from the demos that they are using it on the most sensitive settings. I've only had it a couple of weeks, but it feels and performs exactly as I expected it to.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |